“我的(🧑)一生(shēng “我的(🧑)一生(shēng )中只(🔬)(zhī )害怕(📧)(pà )一件事,就(🎣)是有(yǒu )一天(☝),黑(hēi )色会吞没(méi )红(🔭)色。”
不(bú )管这(😶)导演(yǎn )嗑了什(🍪)么很(🔖)纯的(de ),全(🦌)(quán )部(😱)都(dōu )要给你来(👄)一(yī )点!在澳(💷)(ào )洲这座曾(céng )经被(🌜)称作「无主(❕)之地(dì )」((💭)Terra Nullius)的大(📞)陆,历史以前(📱)(qián )所未见的(🛃)观点重新诠(quá(💻)n )释:(💣)当《疯狂麦斯(🤠)》末日场景(jǐng )成(🕊)为难民拘留(🅾)地(dì ),食人羊(yáng )成为(🌠)反殖民叛乱(🥗)份子(zǐ ),《沙漠(🏂)(mò )妖姬(🕷)》与电(diàn )视剧(♟)(jù )《请(qǐng )喜欢(📰)我》有了跨(kuà )时空的(✝)酷(kù )儿对话(🍳)……本片以近(🛑)(jìn )似(🌝)DJ取样混(💉)(hún )音(🧘)之拼贴手法,打(📫)开(kāi )了虚(xū(🎢) )构与史实间(jiān )的神(👞)秘黑(hēi )洞,大(💏)量(liàng )援引电(🔥)影名(mí(🔙)ng )场景与历(lì(🚉) )史典故,穿越(🍚)时(shí )空与各种(🌝)(zhǒng )语(🌩)境,重写、改(🐭)写、乱写,全(quá(🍘)n )面毁坏观众(🥪)(zhòng )的三观!这是一部(🌩)政治复(fù )仇(🧤)预言,杂揉讽(📶)刺喜剧(🐨)、生态(tài )恐(⛴)怖与公(gōng )路(📭)电影类型(xíng ),写(xiě )下(👒)澳(ào )洲国族(🅰)神话从未(wèi )被(🌡)纪录(👁)的(de )史诗(🐶)篇章(🚩)(zhāng )。
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
一名男子(zǐ(🛅) )不滿一樁(zhuā(🍗)ng )冤獄案件的發生(shē(📿)ng ),私(sī )自綁(bǎ(💓)ng )架審判該案(🍶)的法官(🗄),將其囚禁(jì(🙀)n )於地下室,並(🎫)錄影開(kāi )直播(🤚),公開(📔)質疑(yí )其判(🍲)決有(yǒu )誤,要求(🚦)社會大眾對(🤚)(duì )其進行公(gōng )審並(🕚)投票,然而最(🔑)終(zhōng )的結果(🆒),會因此(👞)(cǐ )撼動程序(🌉)(xù )正義嗎?(📝)
拉敏,一个(gè )在墨西(🍈)哥(gē )的伊朗(👵)移民(mín ),背(bèi )负(💻)着(zhe )他(🎾)的过去(🏽):字(🍀)面(miàn )上,以韦(wé(📘)i )尔斯的形(xí(🐦)ng )式。在Luci_rnagas,一(yī )个Skype对话显(🌦)(xiǎn )示他已经(⛏)把他的(de )男朋(🔫)(péng )友留(🏏)(liú )在土耳其(🧀)了。
喧嚣的(de )都(💱)市中,在碟店打(😥)工(gō(💩)ng )的男主角(jiǎ(💥)o )阿正与都市白(🎪)领(lǐng )小美邂(📷)逅(hòu ),两颗寂寞的心(🛡)渐渐(jiàn )走近(🔻),直至(zhì )两人(🦇)之间的(📔)(de )交往被一(yī(📲) )个中年男人(🗳)发现(xiàn ),阿正被(😍)(bèi )其(🍤)找人暴打之(🔘)后,两(liǎng )个带着(🦕)创(chuà(🏛)ng )伤的身(🔭)体才(🍱)最终(zhōng )越过(guò(🚌) )了底线。 阿正(💌)天(tiān )真地认为(wéi )这(🐃)种暧昧(mèi )关(🛷)系即代表(biǎ(🤭)o )着一种(📅)情(qíng )感的承(🗝)诺,而小(xiǎo )美(😺)或许只(zhī )是将(🚫)其作(🕖)为一种愧疚(🔟)(jiù )下的补偿(chá(🙅)ng )、一段临时(🛶)(shí )的慰藉,甚至从未(🎰)对阿正(zhèng )产(👯)生过所(suǒ )谓(🏚)的的“爱(🕝)”。
明朝(cháo )年间(🚵),兵(bīng )部尚书(🦃)麾下(xià )的百户(🍉)段(duà(🎠)n )天昊为查出(🥈)倭寇(kòu )与阉党(💏)勾(gōu )结销赃(🤒)的(de )证(⛴)据,加入(rù )锦衣(🗡)卫,几年来一(🖊)直潜藏(cáng )在太(tài )监(💇)总管张公公(⛵)身(shēn )边。就在(😗)(zài )他终于得(dé )到线(👚)索,准(zhǔn )备与(😒)多年(nián )兄弟总(⛅)旗苏(🙇)子峪(yù )里应(🎢)外合(hé )抓住犯(🦔)人时,兵部尚(👬)(shàng )书刘大人(rén )得到(🎉)阉党利(lì )用(🤤)倭寇陷(xiàn )害(🏒)福州知(⏹)府的线(xiàn )报(🏑),并派(pài )出段(🍃)天昊的弟弟段(🏉)天(tiā(🔗)n )麟到倭寇(kò(📀)u )处卧底。段(duàn )天(🏳)昊与苏(sū )子(🔴)峪只(💏)得放弃到(dào )手(💍)的功劳(láo ),前(🐎)往福(fú )州,却不曾(cé(🤙)ng )料到竟是(shì(✍) )一场有去无(🏓)回的(de )凶险(xiǎn )之旅。
巴(🈷)勒斯坦(tǎn )電(🤹)視台攝(shè )製臥(⬛)底肥(🎲)(féi )皂劇,連以(🖌)(yǐ )色列婦孺(rú(🌰) )都晚晚追看(🎎)。編(biān )劇因情節(jiē )背(🔺)離革命而辭(🌶)職,監(jiān )製的(😾)多口(kǒ(🕍)u )侄仔助理受(🕥)(shòu )命執筆,頻(📗)頻借女角之口(🗣)(kǒu ),向(🕎)電視(shì )機前(🛅)的舊愛示好,以(🔃)(yǐ )色列檢查(🦓)(chá )站軍官則企(qǐ )圖(🗺)恃權影(yǐng )響(😒)劇情發展,以(yǐ )便在(🎺)追看(kàn )的嬌(🏄)妻面(miàn )前自(📐)吹自擂(lèi )。助理即(jí(🥕) )使槍抵腦殼(📛),都(dōu )不肯(kěn )接(🆒)受軍(😷)官要求的(de )大(🌕)團圓結(jié )局。抗(🐛)爭(zhēng ),必須繼(🐢)續(xù )!影展新(xīn )秀蘇(😴)亞比巧妙調(👯)(diào )侃以巴關(🍭)(guān )係,他(🌝)的喜劇座右(🍦)銘(míng )是:要(🛩)能(néng )大笑,必須(😺)(xū )面(🍮)對苦痛(tòng ),並(Ⓜ)與之周旋。獲威(🦔)尼斯(sī )地平(📯)線單元最佳男主(zhǔ(🧗) )角獎。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.详情